Friday, February 8, 2013

Brussels' greatest artist... whom everybody hates

WARNING: This post contains lesbianism, frontal nudity, graphic suicide, roasted babies and rapists getting shot in the face from point blank range. I think that's all sensitivities covered.
Antoine Joseph Wiertz
The wierd and macabre world of Antoine Wiertz
Much maligned
Let me introduce you to Romantic painter Antoine Joesph Wiertz. Don't worry if you've never heard of him, it doesn't make you a Philistine. Wiertz has been unkindly described as perhaps "the worst painter to have a government funded museum all to himself". His paintings are bold, ghoulish, macabre and perhaps even slightly naive. During his own lifetime he was laughed out of the Louvre and exiled to Brussels. But don't listen to the art critics... listen to me and my polemic. 
Antoine Joseph Wiertz
Antoine Joesph Wiertz was pretty easy on the eye, eh ladies?
So why does Wiertz have a museum all of his very own?
What Wiertz lacked in talent he made up for in luck. He was very much in the right place at the right time. Belgium had just been created as an independent nation and the new Government was looking for national heroes to unite the people and inject some patriotism. Wiertz was hobnobbing with the equivalent of the Minister for Culture and happened to mention he was looking for a new studio to house his enormous paintings. The pair struck a deal. Wiertz would donate all of his works to the state, in return they would be permanently displayed in a Government-funded museum. 
Antoine Joseph Wiertz
Wiertz's works are enormous, this photo gives some idea of their true scale
The lonely Wiertz museum
Thanks to the deal struck in 1850 I was able to visit the Wiertz museum free-of-charge in 2013. Back in the 1920s the Belgian government must have thought it had struck gold and the museum was attracting nearly 50,000 visitors every year. His visceral works of death, dismemberment and naked birds had captured the public imagination. Unfortunately, nearly a century later Wiertz is largely forgotten. According to the Economist, the museum now draws fewer than 10 visitors a day. I had the entire gallery to myself. I spent an hour there and didn't see another soul. It was a ghost town. The Magritte museum with its predictable apples and bowler hats is currently thronging with idiots clamouring and jostling to point their smartphones at something they recognise for two-seconds of diversion. 

The best museum in Brussels
The Wiertz Museum's unpopularity is a real shame. For a start it's free. Secondly, his images are bold, brutal, proto-surreal and painted on a Cyclopean scale. Finally, there's a beautiful irony in the museum. It sits slap bang in the middle of the European parliament complex. Wiertz had always argued that Brussels (and not Paris) should be the new capital of Europe... and now it is (bureaucratically at least).

Why Wiertz is so brilliant
The longer I spent looking at his paintings the more I started to appreciate the artist. His images are as relevant today as ever. In fact, I'd argue Wiertz was something of a trailblazer. * all of these photos are on my Flickr stream if you'd like to see them in high-res*

It must have been shocking to think of a woman bearing arms in the early 19th Century, let alone blowing a Frenchman's skull open for getting a bit too familiar. There were no rape alarms or pepper spray for Wiertz's heroine - just a carbine and a lead ball. The assailant's face explodes like a Tarrantino film.
Antoine Joseph Wiertz
He won't be raping again in a hurry
Suicide was a shocking idea to pious society but not for Wiertz, he packs a punch with this work. The man's face might be shrouded in pistol smoke but fragments of his head fly across the canvas. 
Antoine Joseph Wiertz
Suicide by Wiertz
Here Cyclops chomps down on a man's leg. The giant's eyes are closed in pleasure at the bite and the man dangles in agony. Wiertz does not spare the red paint.
Antoine Joseph Wiertz
An amuse bouche for a Cyclopean hunger
I love the La Jeune Sorciere (Young Sorceress). It's a painting packed with sexual metaphor. A nubile, naked witch straddles the most phallic looking broomstick I've ever seen while a hoary, old hag stoops over her. They both look very guilty and there's more than a hint of lesbianism in the image. The old woman leans over the young girl in a dominant way and raises the finger of secrecy and silence over her wrinkled lips. The girl is even blindfolded.
Antoine Joseph Wiertz
Erotic, esoteric and evocative are three words beginning with 'E' to describe La Jeune Sorciere

This painting shows a Christ-like figure transcending the Earth seconds after his death. The planets and the rocket trail he blazes as he bursts through the atmosphere look more science-fiction than Baroque.
Antoine Joseph Wiertz
A painting moments after death
Sex is never far from Wiertz's mind and you can't help but wonder what's going on behind the red, velvet curtain.
Antoine Joseph Wiertz
Sex and Wiertz go together like tea and jam
This painting of the Greeks and Trojans fighting over the body of Patrocles got Wiertz sneering, contemptuous reviews at the Paris Salon. He didn't take criticism well and turned his back on Paris and critics for good. Apparently it was unsympathetically hung and badly lit... but I'm not a Wiertz apologist.
Antoine Joseph Wiertz
Rather harshly judged I think
Have you ever seen Quasimodo look so beastly but dignified all at the same time? Wiertz's portrait of Notre Dame's most famous hunchback is much more thoughtfully and sympathetically considered than any other depiction I've ever seen.
Antoine Joseph Wiertz
Quasimodo looks deep in thought, almost serene
What artist would be inspired to paint a picture of a baby with third-degree burns after its mother left it too close to the fire? I think you can guess.
Antoine Joseph Wiertz
A mother screams in horror as roasted skin peels from her baby's legs
If you're not traumatised enough already here's a painting of wailing children clawing at the coffin of their last surviving parent while a burly labourer drags it away uncaringly.
Wiertz 034
No innocence in childhood in the world of Wiertz
Finally, here's the Lion of Waterloo. It's fair to say Wiertz wasn't a Francophile. In this painting he celebrates Wellington's victory over Napoleon just a few miles down the road.
Wiertz 035
Celebrating the British (and Prussian) victory at Waterloo

And this is how I was first introduced to Wiertz. I saw this statue and wondered who it was in honour of... one Google search later and here we are.
Antoine Joseph Wiertz
A fitting statue for an overlooked and much maligned artist

TLDR - If you're ever in Brussels go to the Wiertz Museum near the European Parliament because it's brilliant

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